The Road to the Country is not about reimagining war. It’s about facing it; its chaos, silence and legacy. It’s about the people who lived through it and those still carrying it in their blood. ...

In the end, Parlour Wife is not without merit. It’s readable, even engaging at points, but its flaws hold it back from being truly memorable.

At the heart of it, An Unusual Grief is about survival, not the neat, inspirational kind, but the messy kind that doesn’t always make sense.

Attah delivers, page after immersive page. I couldn’t put it down. The Hundred Wells of Salaga is the kind of book you swallow in one gulp.

What I really liked about Dream Count is Adichie’s tone. There’s this gentleness in her writing—it’s almost as if you can hear her voice.

Vagabonds! is rich in themes of spiritualism, mysticism, queer dynamics, and possession, that literally takes on flesh, saying, “When you’re ready, I’ll be here”.

Harmattan Rain follows the lives of three women: crone, mother, and girl, with the backdrop being the political scene around Ghana’s independence.

If you liked Dele Weds Destiny, then you’ll love We Were Girls Once. Aiwanose is a wonderful and insightful writer, and I look forward to reading more of her works.

In Homegoing, we journey with the descendants of two sisters as Yaa Gyasi weaves a compelling tale of life in colonial Ghana, the blood-strumming struggle that birthed a nation.

The character development was wonderful, and there was no overnight transformation, with only steady, stable transitions throughout the book.

I think Diamant meant this book to empower women and showcase the strength and bond between mothers and daughters and their will to thrive, even through secret traditions, but it was a hard miss. ...

This book is real and portrays the one thing that many women still face today and feel too overwhelmed to fight.